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The team

The people behind the collections.

Collectively the MediaMine team has over 100 years of entertainment industry experience across the creative, technical and media-asset disciplines. The people below carry the work — from the first conversation about a collection through transfer, cataloguing and licensing.

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    Keith Wheeler

    Licensing & Client Relations

    Keith is the first call for licensing and service inquiries. He scopes incoming collections, matches production requests to material in the represented libraries, and stays with a project from first conversation through delivery.

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    Keith works at the point where a collection stops being a storage problem and starts being a catalogue with commercial potential. Most of his week is spent on two kinds of conversation: an organization describing shelves of material it can no longer play, and a production describing a scene it needs and cannot find.

    On the intake side he walks owners through what is realistic — which formats are urgent, which can wait, what documentation will be needed later, and how the intended use should shape the transfer decisions made at the outset. On the licensing side he handles research requests, advises on what is and is not available for a given use, and coordinates clearance and delivery with the technical team.

    He came to archive work from distribution and sales, which shapes how he reads a library: not as a list of tapes, but as a set of stories someone is already looking for.

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    Amy Harrington

    Creative Director & Project Manager

    Amy leads creative direction and project management, shaping how a collection is presented and keeping the work moving from intake through delivery.

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    A second paragraph of similar length sits here, covering background, notable projects and the approach each brings to a client’s collection.

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    Nancy Harrington

    Creative Director & Project Manager

    Nancy leads creative direction and project management, developing the story a library can tell and coordinating the people and milestones behind it.

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    Biography to come — this paragraph is set to the length the final text will run, so the spacing and measure below the summary line are correct ahead of the real copy.

    A second paragraph of similar length sits here, covering background, notable projects and the approach each brings to a client’s collection.

Contact

For licensing or service inquiries, please contact us.

Describe the material you are holding or the footage you are trying to find, and we will come back with a route forward.

Your contact

Keith Wheeler
Telephone
818.414.2961

Email MediaMine